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6 pages of printed questions and prompts for Kulczycky's interview with Day. Questions were written just prior to their discussion in August of 2024. Questions are about her career as a whole, and her specific work editing concert and other films. Specifically details about her work on Stop Making Sense including technical details about the early non-linear editing system they used. Further questions and notes are handwritten in red ink on the pages.

Fonds consists of records created and accumulated by David Slipetz between 2000 and 2025 that document his personal life, education, financial affairs, and creative practice as a photographer. The records include personal correspondence, postcards, financial records, and educational materials, as well as a substantial body of photographic work. The latter is represented through digital files in .raw format, printed photographs on canvas, and other graphic material.

The fonds provides insight into Slipetz’s development as a photographer, his educational experiences, and aspects of his personal and professional life. The digital photographic files are particularly illustrative of his creative output and document both professional projects and personal explorations in visual art.

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This series consists of photographic documentation of Brittany’s framing designs and methodologies taken during her position at Newfoundland Canvas. These photos often depict unframed artworks next to chosen frame samples, as a photo was taken after every design consultation and attached to a framing order for reference in the production process. As Brittany served local bestselling artists and well-known art galleries, many reference photos evidence the design process for popular art products or exhibits in St. John’s and throughout Newfoundland. Photo subjects of interest include framing for an 18th century nautical map of Newfoundland, and preparations for an exhibit on the photography of Edith S. Watson - an American photographer who spent time in Newfoundland in the early 1900s.

A variety of artistic mediums and heritage items are represented, such as pastels, watercolour paintings, canvas paintings, cross stitch, rug hookings, doilies, other textile arts, family heirloom objects, and new and vintage photographs. Digital photos are in JPEG and HEIC formats. Paper textual records are Brittany’s accompanying handwritten notes which outline techniques and materials used to frame specific types of items.