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John Oliveira was born 1995 in Toronto. He graduated from Ryerson University in 2020 and worked for 4 years as a retail manager at Rexall pharmacies in both Ajax and Pickering. In 2024 he was accepted into the Ischool at the University of Toronto to an Information Science Degree in Archives and Record Management.
The fonds of John Oliveira document his personal and professional endeavors from the years 2018-2025. This fonds presents his work as a writer from notes all the way to the first printed draft of his novel Andreas' Children. It also documents his time at the University of Toronto spent earning his information science degree in archives and records management. Finally due to the amount of amateur recordings he has done, this fonds documents his hobby as an amateur guitarist and musician.
Oliveira, JohnFour journals spanning years from 1993 to 2022.
Files consists of Journals generated by Alston So, between 2008-2025. The topics and themes in the journal's range from daily life, thoughts, feelings, and personal relationships. The files are mostly textual records, but graphic records, such as photographs and drawings, are included among the pages. Journals were mainly generated in Canada, between Vancouver and Toronto. One journal was created in Tokyo, Japan.
So, AlstonIncludes yearly personal journals written by Allison beginning in 2016 all the way up to 2025. Some journals include photos, physical ticket stubs, and other mementos from trips and experiences throughout Allison's life, mainly from her time abroad.
These personal records compose an open collection which consists primarily of the creative works of Kagan Pittman produced from 2019 to the present. The collected records reflect their hobbies including amateur nature photography, poetry, paintings and painted miniatures, pottery, and professional modeling work. The Photography series includes images produced using their mobile phone, between 2019 and the present and includes images in PNG format. The Poetry series is comprised of multimedia records including born digital documents of Microsoft Word Files and analogue paper documents produced across several devices and two personal journals produced between 2022 and the present. Painted works include two paintings on canvas and 60 painted miniatures of display value to the creator dated 2022 to present. Clay pottery pieces are included exemplifying further exploration in physical medium arts, however exact dates for their production are approximated. The final series includes edited photograph copies of Kagan's modeling, produced with Alkan Photography who holds the unedited originals that are not permitted for release as per their contract with Kagan Pittman (2025). Each of these art forms are considered as separate hobbies which Kagan explored in various times of their life and are actively contributing to given the open nature of the fonds, with additional entries anticipated in each. As such, the fonds and each series is organized according to chronological order of production when dates are available, and the order in which it was received by the creator regarding undated materials and physical items, including painted works and pottery, submitted with more broad likely dates of creation. Born digital documents are stored in hard drives while physical media are assigned to related boxes. All material is arranged chronologically when dating information is available and organized according to received order otherwise, for the purpose of preserving original order.
This fonds consists of the private records of Katherine Robertson, a student at the University of Toronto, dating back to around the beginning of her high school studies in 2011 up to 2025. The majority are documents related to school activities, starting with Cedarbrae Collegiate Institute, continuing through her HBA at the University of Toronto Scarborough, and leading into her graduate studies at the Faculty of Information. There is significant documentation related to the development of her paper “Myth and Conflict Under the Solomonic Dynasty” for publication, from its initial creation as a course paper, to her presentation at the annual conference of the Canadian Society of Medievalists, and the ongoing preparation of the paper and its accompanying volume with De Gruyter. Katherine’s correspondences are made up largely of emails regarding school activities, employment, and events of personal interest, with some physical mailed copies of admissions and tax documents. There are some employment and volunteer-related documents from her work with the Toronto District School Board and Entertainment Partners Canada Inc. The fonds also contains some of Katherine’s government documents, mainly financial records, as well as documents of her personal interests.
Materials in the fonds are both digital and physical, and include copies of assignments, research notes, annotated course readings and lecture materials, admissions and enrollment-related documents, event and extracurricular ephemera, manuscripts, publisher specifications, PDFs of emails, physical letters, CVs/resumes, work contracts, timesheets, T4s, personal notes, collected recipes, photographs taken by Katherine, and images saved for reference or inspiration. The fonds has been arranged into the following series:
Fonds consists of Kayla's student records documenting her life as a student at the iSchool, including 10GB (200 files) of Word documents (.doc) and 2GB (30 files) of digital photographs (.jpeg).