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Fonds consists of materials created and gathered by Jae Kim in personal, professional, and academic contexts, predominantly after his move from Vancouver to Toronto. Materials are organized to reflect key aspects of Kim’s life, including personal identity exploration, gender transition, academic and professional development, community organizing, and creative work. Records were generated through various activities, including personal correspondence, academic research, employment, activism, and curatorial practice, particularly concerning 2SLGBTQ+ BIPOC communities.

Fonds comprises a range of documentary forms, including textual records, digital files, and artifacts. Records include medical documentation, personal and professional correspondence, academic writings, exhibit materials, and photographs.

Fonds contains the following series: Gender Transition; Professional Work and Employment; Higher Education; The ArQuives Exhibit; Community Engagement and Volunteering; Personal Correspondence; Creative Projects.

Item is a colour photograph of exhibition participant Jane Doe, taken in 2025 in Edmonton, Alberta as part of the exhibition’s promotional and display materials.

The fonds consists of records created and accumulated by Jane Goulding between 2019 and 2025 in the course of her academic, professional, creative, and personal activities. It includes materials related to her undergraduate and graduate studies in English at Memorial University of Newfoundland and her coursework and internships during her Master of Information at the University of Toronto. The fonds documents Goulding’s academic development, including essays, annotated readings, award notifications, and research notes; her professional contributions as a research assistant, graduate assistant, and intern; and her involvement in public scholarship through conference presentations.

The fonds also contains creative works such as original poetry, short fiction, and curated music lists, as well as documentation of her album-a-day listening project. Personal records include digital photographs, personal ephemera, and reflections on student and social life in St. John’s and Toronto. The materials exist in a variety of formats, including textual records, digital audio and video, photographs, certificates, and born-digital documents.

This fonds consists of multimedia records documenting Jason Kahei Wong’s music works, public life, and personal affairs in Hong Kong. The records predominantly reflect his experiments in composing classical guitar music in alternative genres. In particular, his original scores and live performance videos showcased the soundscape and versatility of nylon-string guitar that was not considered possible. Another focus of this fonds are the records about his religious life. A considerable amount of textual materials document the worldview he developed through bible study sessions with his peers, who tried to make sense of biblical principles with Chinese norms and values. On a large part, these records serve as an important segway to understanding Wong’s position and point of view in the 2019 Hong Kong Protest. This fonds includes a series of political essays written by Wong. They reported on key events that took place during the Protest and expressed his visions for truth, justice, and harmony. The research materials for the essays feature first-hand interviews, photographs, and videos of petitions sites. There are also records of Wong’s education in the form of journals, course notes, papers, and graphical materials.

This fonds consists of materials documenting Wong's life as a student in the School of Information and lifeguard in the swimming club. It includes his personal papers, correspondence with colleagues, and photographs.