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Four journals spanning years from 1993 to 2022.

Files consists of Journals generated by Alston So, between 2008-2025. The topics and themes in the journal's range from daily life, thoughts, feelings, and personal relationships. The files are mostly textual records, but graphic records, such as photographs and drawings, are included among the pages. Journals were mainly generated in Canada, between Vancouver and Toronto. One journal was created in Tokyo, Japan.

John Oliveira was born 1995 in Toronto. He graduated from Ryerson University in 2020 and worked for 4 years as a retail manager at Rexall pharmacies in both Ajax and Pickering. In 2024 he was accepted into the Ischool at the University of Toronto to an Information Science Degree in Archives and Record Management.

The fonds of John Oliveira document his personal and professional endeavors from the years 2018-2025. This fonds presents his work as a writer from notes all the way to the first printed draft of his novel Andreas' Children. It also documents his time at the University of Toronto spent earning his information science degree in archives and records management. Finally due to the amount of amateur recordings he has done, this fonds documents his hobby as an amateur guitarist and musician.

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This fonds consists of materials documenting Wong's life as a student in the School of Information and lifeguard in the swimming club. It includes his personal papers, correspondence with colleagues, and photographs.

This fonds consists of multimedia records documenting Jason Kahei Wong’s music works, public life, and personal affairs in Hong Kong. The records predominantly reflect his experiments in composing classical guitar music in alternative genres. In particular, his original scores and live performance videos showcased the soundscape and versatility of nylon-string guitar that was not considered possible. Another focus of this fonds are the records about his religious life. A considerable amount of textual materials document the worldview he developed through bible study sessions with his peers, who tried to make sense of biblical principles with Chinese norms and values. On a large part, these records serve as an important segway to understanding Wong’s position and point of view in the 2019 Hong Kong Protest. This fonds includes a series of political essays written by Wong. They reported on key events that took place during the Protest and expressed his visions for truth, justice, and harmony. The research materials for the essays feature first-hand interviews, photographs, and videos of petitions sites. There are also records of Wong’s education in the form of journals, course notes, papers, and graphical materials.

The fonds consists of records created and accumulated by Jane Goulding between 2019 and 2025 in the course of her academic, professional, creative, and personal activities. It includes materials related to her undergraduate and graduate studies in English at Memorial University of Newfoundland and her coursework and internships during her Master of Information at the University of Toronto. The fonds documents Goulding’s academic development, including essays, annotated readings, award notifications, and research notes; her professional contributions as a research assistant, graduate assistant, and intern; and her involvement in public scholarship through conference presentations.

The fonds also contains creative works such as original poetry, short fiction, and curated music lists, as well as documentation of her album-a-day listening project. Personal records include digital photographs, personal ephemera, and reflections on student and social life in St. John’s and Toronto. The materials exist in a variety of formats, including textual records, digital audio and video, photographs, certificates, and born-digital documents.