Alston So was born to Chinese immigrants on May 3rd, 1999 in Vancouver, BC. He was an experienced artist, writer, and amateur archivist. At a young age, Alston was interested in drawing and writing, hence why some sketchbooks and journals have survived to this day.
He studied fine arts at Emily Carr University in 2017. He specialized in the ceramic and drawing medium. Through the art community, Alston participated in many student-run art shows that supported queer artists. In 2019, Alston So decided to drop out in order to take a break from academics.
During this break in 2020, Alston was generating a large amount of textual material through creative output. A self inspired project, he created many journals that detailed serious issues, his life, and the mundane. He took on many odd jobs, such as a baker, bartender, library page and a clown at one point.
Alston was accepted into the University of British Columbia in 2020. He obtained his Bachelor’s Degree in Asian Studies and creative writing minor at the University of British Columbia in 2024. Many of his research and publications during this period focused on the Asian Diaspora, through a critical queer lens.
By 2022, Alston relocated to Tokyo University of Foreign Studies to further his academic knowledge. He began exploring Tokyo’s underground art scene, taking in inspiration for his own writing and art. Between 2022-2023, Alston So created hand-bound zines and distributed them between emerging artists across Japan. At Tokyo University of foreign studies, he focused his learning on Japan and Asia as a whole. There, he met Dr. Iris Haukamp, a professor of Asian film and art studies. Under the tutelage of Dr.Haukamp, Alston completed his senior thesis titled “Evolution of Asian Art through the Asian Diaspora”. After, Iris became a close confidante and supported Alston’s studies back in Canada.
In 2023, Alston returned to Vancouver to complete his studies. One of the most significant publication Alston released, is “A Study of Asian Ceramics: 1000 years of history” (2024), commissioned by Keishirou Nakamoto, a professor at the University of British Columbia. The partnership between Keishirou and Alston was fruitful, as his report went on to help in the creation of an exhibit hosted at the Museum of Anthropology. After graduating from UBC, Alston was accepted into the Master of Information program at the University of Toronto. He chose to focus on Archives and Record Management and Library Information Sciences.
Unfortunately, Alston was unable to complete his studies. On March 10th, he was declared missing and was last seen at Crother Woods. Alston So’s body was found on March 17th and declared deceased.